Georgia College’s Andalusia Institute has Robust Virtual Opening

Tuesday, November 3rd, 2020

It was a bizarre time to begin a new job—let alone launch an organization from scratch.

COVID-19 quickly turned Dr. Irene Burgess’ new position as inaugural executive director of Georgia College’s new Andalusia Institute into a quagmire of possible pitfalls. But the opening was ‘virtually’ flawless.

“It’s gratifying that we’ve been able to develop the start of an Andalusia Institute culture, despite the challenges of the time,” Burgess said. “Actually, COVID was one of the better things that happened to us. It gave me time to work on our virtual presence, create a Facebook page and establish ourselves in a way that’s really unique.”

Putting events online turned out to be a smart move—amplifying the works of famed author and alumna Flannery O’Connor, while introducing the institute to a wider audience. People worldwide tune in for lively discussions about O’Connor’s novels, short stories and essays.

Before the pandemic, Burgess planned to begin slowly, building up the institute with author visits and readings. COVID changed that direction, and Burgess couldn’t be happier with the results. More than 200 people are registered to participate in virtual events—the most popular given by English Professor Dr. Bruce Gentry.

For years, Gentry led a monthly discussion on O’Connor with residents in Eatonton, Georgia. Online, his sessions have blossomed into a bimonthly international affair. Viewers from all over the United States—as well as Italy, Spain, Saudi Arabia, Brazil, Argentina and Turkey—link into his Zoom programs. People who can’t otherwise travel to Andalusia find a sense of community, connection and common interest with likeminded readers via computer.

Andalusia Institute’s online programs also sparked global interest in Milledgeville, Georgia history, Southern studies and mid-20th century literature.

“This little thing in Eatonton once a month is now worldwide because of coronavirus,” Burgess said. “Only half the audience are scholars. Some are just happy to have someone to talk to because of COVID. Others are fanatic about her books. They love her and they love her books, but they never had anyone to talk to about it. Now they have an outlet.”